<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Doerr, Carola</style></author><author><style face="normal" font="default" size="100%">Bredeche, Nicolas</style></author><author><style face="normal" font="default" size="100%">Alba, Enrique</style></author><author><style face="normal" font="default" size="100%">Bartz-Beielstein, Thomas</style></author><author><style face="normal" font="default" size="100%">Brockhoff, Dimo</style></author><author><style face="normal" font="default" size="100%">Doerr, Benjamin</style></author><author><style face="normal" font="default" size="100%">Eiben, Gusz</style></author><author><style face="normal" font="default" size="100%">Epitropakis, Michael G.</style></author><author><style face="normal" font="default" size="100%">Fonseca, Carlos M.</style></author><author><style face="normal" font="default" size="100%">Guerreiro, Andreia</style></author><author><style face="normal" font="default" size="100%">Haasdijk, Evert</style></author><author><style face="normal" font="default" size="100%">Heinerman, Jacqueline</style></author><author><style face="normal" font="default" size="100%">Hubert, Julien</style></author><author><style face="normal" font="default" size="100%">Lehre, Per Kristian</style></author><author><style face="normal" font="default" size="100%">Malagò, Luigi</style></author><author><style face="normal" font="default" size="100%">Merelo, J. J.</style></author><author><style face="normal" font="default" size="100%">Miller, Julian</style></author><author><style face="normal" font="default" size="100%">Naujoks, Boris</style></author><author><style face="normal" font="default" size="100%">Oliveto, Pietro</style></author><author><style face="normal" font="default" size="100%">Picek, Stjepan</style></author><author><style face="normal" font="default" size="100%">Pillay, Nelishia</style></author><author><style face="normal" font="default" size="100%">Preuss, Mike</style></author><author><style face="normal" font="default" size="100%">Ryser-Welch, Patricia</style></author><author><style face="normal" font="default" size="100%">Squillero, Giovanni</style></author><author><style face="normal" font="default" size="100%">Stork, Jörg</style></author><author><style face="normal" font="default" size="100%">Sudholt, Dirk</style></author><author><style face="normal" font="default" size="100%">Tonda, Alberto</style></author><author><style face="normal" font="default" size="100%">Whitley, Darrell</style></author><author><style face="normal" font="default" size="100%">Zaefferer, Martin</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Handl, Julia</style></author><author><style face="normal" font="default" size="100%">Hart, Emma</style></author><author><style face="normal" font="default" size="100%">Lewis, Peter R.</style></author><author><style face="normal" font="default" size="100%">López-Ibáñez, Manuel</style></author><author><style face="normal" font="default" size="100%">Ochoa, Gabriela</style></author><author><style face="normal" font="default" size="100%">Paechter, Ben</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Tutorials at PPSN 2016</style></title><secondary-title><style face="normal" font="default" size="100%">Parallel Problem Solving from Nature – PPSN XIV: 14th International Conference, Edinburgh, UK, September 17-21, 2016, Proceedings</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2016</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://dx.doi.org/10.1007/978-3-319-45823-6_95</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Springer International Publishing</style></publisher><pub-location><style face="normal" font="default" size="100%">Cham</style></pub-location><pages><style face="normal" font="default" size="100%">1012–1022</style></pages><isbn><style face="normal" font="default" size="100%">978-3-319-45823-6</style></isbn><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">PPSN 2016 hosts a total number of 16 tutorials covering a broad range of current research in evolutionary computation. The tutorials range from introductory to advanced and specialized but can all be attended without prior requirements. All PPSN attendees are cordially invited to take this opportunity to learn about ongoing research activities in our field!</style></abstract></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">M. A. Kaliakatsos–Papakostas</style></author><author><style face="normal" font="default" size="100%">M. G. Epitropakis</style></author><author><style face="normal" font="default" size="100%">A. Floros</style></author><author><style face="normal" font="default" size="100%">M. N. Vrahatis</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Penousal Machado</style></author><author><style face="normal" font="default" size="100%">Juan Romero</style></author><author><style face="normal" font="default" size="100%">Adrian Carballal</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Interactive Evolution of 8–Bit Melodies with Genetic Programming towards Finding Aesthetic Measures for Sound</style></title><secondary-title><style face="normal" font="default" size="100%">Evolutionary and Biologically Inspired Music, Sound, Art and Design</style></secondary-title><tertiary-title><style face="normal" font="default" size="100%">Lecture Notes in Computer Science</style></tertiary-title></titles><dates><year><style  face="normal" font="default" size="100%">2012</style></year></dates><publisher><style face="normal" font="default" size="100%">Springer Berlin / Heidelberg</style></publisher><volume><style face="normal" font="default" size="100%">7247</style></volume><pages><style face="normal" font="default" size="100%">141-152</style></pages><isbn><style face="normal" font="default" size="100%">978-3-642-29141-8</style></isbn><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">The efficient specification of aesthetic measures for music as a part of modelling human conception of sound is a challenging task and has motivated several research works. It is not only targeted to the creation of automatic music composers and raters, but also reinforces the research for a deeper understanding of human noesis. The aim of this work is twofold: first, it proposes an Interactive Evolution system that uses Genetic Programming to evolve simple 8–bit melodies. The results obtained by subjective tests indicate that evolution is driven towards more user–preferable sounds. In turn, by monitoring features of the melodies in different evolution stages, indications are provided that some sound features may subsume information about aesthetic criteria. The results are promising and signify that further study of aesthetic preference through Interactive Evolution may accelerate the progress towards defining aesthetic measures for sound and music.</style></abstract></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">M. A. Kaliakatsos-Papakostas</style></author><author><style face="normal" font="default" size="100%">M. G. Epitropakis</style></author><author><style face="normal" font="default" size="100%">M. N. Vrahatis</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Di Chio, Cecilia</style></author><author><style face="normal" font="default" size="100%">Brabazon, Anthony</style></author><author><style face="normal" font="default" size="100%">Di Caro, Gianni</style></author><author><style face="normal" font="default" size="100%">Drechsler, Rolf</style></author><author><style face="normal" font="default" size="100%">Farooq, Muddassar</style></author><author><style face="normal" font="default" size="100%">Grahl, Jörn</style></author><author><style face="normal" font="default" size="100%">Greenfield, Gary</style></author><author><style face="normal" font="default" size="100%">Prins, Christian</style></author><author><style face="normal" font="default" size="100%">Romero, Juan</style></author><author><style face="normal" font="default" size="100%">Squillero, Giovanni</style></author><author><style face="normal" font="default" size="100%">Tarantino, Ernesto</style></author><author><style face="normal" font="default" size="100%">Tettamanzi, Andrea</style></author><author><style face="normal" font="default" size="100%">Urquhart, Neil</style></author><author><style face="normal" font="default" size="100%">Uyar, A.</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Weighted Markov Chain Model for Musical Composer Identification</style></title><secondary-title><style face="normal" font="default" size="100%">Applications of Evolutionary Computation</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2011</style></year></dates><publisher><style face="normal" font="default" size="100%">Springer Berlin / Heidelberg</style></publisher><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">Several approaches based on the ‘Markov chain model’ have been proposed to tackle the composer identification task. In the paper at hand, we propose to capture phrasing structural information from inter onset and pitch intervals of pairs of consecutive notes in a musical piece, by incorporating this information into a weighted variation of a first order Markov chain model. Additionally, we propose an evolutionary procedure that automatically tunes the introduced weights and exploits the full potential of the proposed model for tackling the composer identification task between two composers. Initial experimental results on string quartets of Haydn, Mozart and Beethoven suggest that the proposed model performs well and can provide insights on the inter onset and pitch intervals on the considered musical collection.</style></abstract></record></records></xml>